Eden in the Psalter

Quite some time ago, I expressed an intention to write a series of posts on the structure of the Psalter. That never came to fruition due to . . . well, small preoccupations like planting a church. But I noticed something new today that’s worth commenting on; and maybe one day I’ll situate it within a larger treatment of the structural features.

Book 2 of the Psalter opens with eight Psalms written by the sons of Korah. I had not noticed until today how heavily these Psalms draw from the imagery and themes of Genesis 1–3. For example, Psalm 42 begins with a corporate panting after God, who is described as a “flowing stream” (vv. 1–2) and the source of many waters (v. 7). The psalmist feels displaced from fellowship with this life-giving God, a theme that resonates deeply with the displacement of Adam and Eve in Genesis 3, when they were thrust out from the stream-fed garden of Eden and the presence of the Lord.

In Psalm 43, the psalmist prays that God’s light and truth will go forth and lead him back to the “holy hill” of the Lord, to His “dwelling” (v. 3). Again this echoes the imagery of Eden as a garden on a hill, from which water flowed down into the lands below (Genesis 2:10–14).

Psalm 44 is a variation on the theme of displacement: here the anguish of God’s people is expressed in terms of rejection and disgrace (v. 9), such that their belly cleaves to the dust (v. 25) – they have been reduced to the place and posture of the accursed serpent in Genesis 3:14!

Psalm 45 is a dramatic shift, offering praise to a mysterious kingly figure who is described as “the most handsome of the sons of men” (v. 2), and at whose right hand stands a lovely queen in gold of Ophir (v. 9). It is especially noteworthy that this Adamic figure is destined to rule over all the earth through princely sons (v. 16), and that the nations will praise him forever (v. 17). This calls to mind the downriver mission of Adam and his seed, hinted at in Genesis 2:10–14.

The king has been mentioned in Psalm 45. A royal city is now mentioned in Psalm 46: a fearless city, untroubled by the roaring waters that sometimes assault her, because she is fed by the river of God Himself (v. 4). God is in the midst of her; she will not be moved (v. 5). She need not fear the nations around her, because her God rules over them all. In time He will be exalted among the nations; He will rule in all the earth (v. 10).

Psalm 47 takes up the celebration of the worldwide reign of God: He is “a great King over all the earth” (v. 2). He will subdue peoples and nations under the feet of His chosen who live in the royal city (v. 3), because He “reigns over the nations” (v. 8).

Psalm 48 turns an admiring gaze upon this lovely city, which sits on God’s “holy mountain” like Eden of old (v. 1). Kings stand in fear as they look upon her, for God is fearsome in her midst (vv. 4–8). The praise of her King now “reaches to the ends of the earth” (v. 10); and to look on her is to know the glory of God, who will be her guide even to the end (vv. 12–14).

In Psalm 49, the sons of Korah turn away from the holy city to offer a word of wisdom to “all peoples,” to “all inhabitants of the world, both low and high, rich and poor together” (vv. 1–2): “Man in his pomp will not remain; he is like the beasts that perish” (v. 12). All his vainglory notwithstanding, he is under the curse of God, and to dust he will return. But God will ransom His people from the power of Sheol; He will “receive” them (v. 15) back into His own presence, His temple, His holy city, His everlasting kingdom. For them, the gate of Eden has been opened once again, and the nations do well to consider it.

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